who’d have them?

My mother died just about a month ago, and I think she/her death is taking up too much space in my conscious mind to trouble my subconscious or unconscious self too much. It’s interesting to note that even though death is one of the central themes of much of the most important art ever created, and although I am someone with an interest in Art, in the capital A, “high culture” sense, what came into my mind in that room, while holding her hand was actually a line from a song which turned out to have an accuracy I didn’t realise until then; “it’s so cold, it’s like the cold if you were dead.”* Mum wouldn’t have liked that. And if she wasn’t dead I probably wouldn’t be posting what follows online, even though there’s nothing in it she would object to and even though, as far as I’m aware, she never read a word I wrote: which sounds petulant but it’s not a complaint. Our parents know us too well in one way to want them to know us in other ways, or at least that’s how I think I feel about it.

*Plainsong by The Cure, which luckily I’ve barely been able to stand for many years although I really do love it.

Max Ernst – Max Ernst Showing a Young Girl the Head of his Father (1926/7)

Anyway, last night, for the first time in what feels like decades, I dreamed about my dad. The dream was full of vivid, long forgotten details, most of which almost immediately receded back into the murk of subconscious memory on waking. Not all of them though; how could I have forgotten his strangely hissing laugh (less sinister than it sounds)? But waking up, what was lurking in my mind as the dream faded was, of all things – pop culture strikes again – lines from Stephen King’s IT (which mum read, but dad didn’t, he was squeamish about horror) and a feeling of dread that wasn’t terrifying or even upsetting, just somehow inevitable and in some way kind of comfortable.

That quote comes from a scene in the book when the young protagonists come across the monster, Pennywise, in an old newspaper clipping from 1945. I had no idea that I had absorbed this paragraph, or at least its final lines, first read when I was 14, completely enough to have known it almost word for word, but there it was (have included the whole paragraph for sense):

The headline: JAPAN SURRENDERS – IT’S OVER! THANK GOD IT’S OVER! A parade was snake-dancing its way along Main Street toward Up-Mile Hill. And there was the clown in the background, wearing his silver suit with the orange buttons, frozen in the matrix of dots that made up the grainy newsprint photo, seeming to suggest (at least to Bill) that nothing was over, no one had surrendered, nothing was won, nil was still the rule, zilch still the custom; seeming to suggest above all that all was still lost.  

Stephen King, IT, 1986 p.584 (in the edition I have)

Pietà or Revolution by Night (1923)

Which is not really fair; dad had his faults but he was not a shape-shifting alien clown that ate kids. And anyway, it wasn’t even a nightmare as such. Details are receding – and have almost vanished even since I made the original note this morning – but essentially, nothing bad happened, we were in a house, dad was there, my siblings were there, offering eye-rolling ‘he’s annoying but what can you do?’ support, but what lingers is the last phase before waking – an interminably long, drawn out scene where I was attempting, unsuccessfully, to make coffee for everyone in an unfamiliar kitchen, but couldn’t find the right spoon, with dad behind me watching with condescending amusement and laughing that hissing laugh. And then I woke up to a Stephen King quote. So thanks for that, brain. One of the hardest lessons to learn and re-learn is that other people are none of your business, or to put it less negatively, that you have no claim on any other human being and they have no claim on you. Except for your parents of course; but that’s that dealt with anyway.

The First Monthly Report: January 2016

 

Along with some tragic deaths, abysmal weather and so forth, 2016 began with lots of good stuff, some of it inevitably acquired at christmas, like for instance…

FREZNO by Tony Stamolis (Process Books, 2008)

frez

Frezno is great partly because photographer Tony Stamolis’ hometown Fresno is, or appears to be, pretty much anywhere. The great cities of the world have their special charm and character, their iconic structures and buildings, their famous associations. Fresno has wasteland, litter, housing projects, car parks, people, stuff. Most of us see this kind of stuff every day, but mostly we don’t really notice it. Tony Stamolis not only notices it, but records it. His eye for significant detail is unerring; this isn’t an accumulation of lowlife sleaze and slum glamour, it’s life as it is it is lived by people everywhere, the poetry of unglamorous everyday-ness; which was good enough for James Joyce after all.

Conny Ochs – Future Fables (Exile on Mainstream)

conny-ochs-future-fables

This is one of those surprisingly rare albums that is really all about the songs. Conny Ochs has worked in a variety of alt-rock and Americana-ish styles, but here style takes second place to classic, simple songwriting; catchy tunes with guitars/bass/drums that are the perfect vehicle for Ochs’ expressive voice and thoughtful lyrics. Not in the style of anyone, but if you like Elliott Smith or early Neil Young, check this out.

Charles Burns – Sugar Skull (Jonathan Cape, 2014)

burnsy

Charles Burns ends his utterly grotesque but beautifully drawn three part graphic novel with a typically enigmatic, but thankfully satisfying final part. The story is virtually impossible to summarise, but feels like an (autobiographical?) adolescent-becomes-adult rights of passage story told as a dream narrative by William Burroughs and HP Lovecraft and illustrated by Herge. The hard-edged drawing style and psychological horror makes for an uneasy but gripping mixture and if the trilogy is in the end less emotionally disturbing than Burns’ oddly anguished The Black Hole, it’s more readable and probably his most artistically accomplished work to date.

Richie Hawtin – From My Mind To Yours (Plus 8)

hawtin

Richie Hawtin returns, laden down with honorary doctorates, to demonstrate that techno, reduced to beeps, beats and peculiar noises, can be as expressive and unique as any music can in the hands of a master. Pristine sound, nocturnal atmospheres and abrasive textures make this a classic of headphones techno, although you probably can dance to it, if that’s your thing.

States of Decay – Daniel Barter & Daniel Marbaix (Carpet Bombing Culture, 2013)

states

Carpet Bombing Culture’s series of beautifully produced books on Urban Exploration and abandonment goes to the USA with this stunning collection of photographs of mysteriously abandoned and neglected theatres, railway stations, churches, industrial sites and hotels, captured in all their haunting, haunted beauty. As with most Urbex books, it’s the strange mix of nostalgia, sadness and disbelief that makes this so special.

Abbath – Abbath (Season of Mist)

abbath

There was every reason to expect something like a repeat of Abbath’s solo project I, whose Between Two Worlds (2006) was a good, fun metal album with some great moments. But the former Immortal frontman significantly upped the ante with this powerful (but still fun) collection of black-tinged metal anthems that proved that whoever won the name and wrote the lyrics, the spirit of Immortal resided in the man who gave it one of the most distinctive voices and faces in metal. Appropriately triumphant.

There’s definitely more; but this will do for now 🙂