Play For Today – Current Playlist, 12th January 2017

 

Currently working on several more substantial articles, but in the meantime, here’s what I’ve been listening to in the last little while; which quite a lot of actually new music, as it turns out…

julia kent

  1. Julia Kent Asperities (The Leaf Label, 2015) – a beautiful album of experimental cello music I like so much that I was moved to actual pay money for the vinyl version.
  2. BathshebaServus (Svart Records, 2017) – the forthcoming album from Bathsheba impressed me a lot; ‘atmospheric occult doom’ is something I’m actually a bit weary of, but the songs are great and singer Michelle Nocon has a Patti Smith-like authority that makes it all very compelling.
  3. Code – Lost Signal (Agonia Records, 2017) – I thought this EP of re-recordings (plus one new song) would be a waste of time, but no; really good in fact.
  4. Nick Mazzarella Trio – Ultraviolet (International Anthem, 2015) – the apparent contradiction of free, expressive jazz welded into tightly controlled compositions turns out to be a recipe for vibrant, gripping music.
  5. Ashen Spire – Speak Not Of The Laudanum Quandary (code666, 2017) – I have to admit the thought of melodramatic, A Forest of Stars-like artifice welded to doomy and atmospheric extreme metal is not something that always fills me with joy – but Ashenspire are more peculiar and less pantomimic in their theatricality than I expected, and the title song is one of several hugely effective compositions here. An acquired taste, as I assume it’s supposed to be, but one worth acquiring.
  6. Bruno Sanfilippo – Piano Textures 4 (2016) – beautifully evocative, modern minimalist piano pieces cover
  7. David Bowie – Hunky Dory (RCA, 1971) – This was my favourite Bowie album (actually, my favourite album) for years, but I hadn’t listened to it for ages. Being impressionable, the fact that a bunch of music critics voted it his greatest work sent me back to it again. I don’t agree, but I see why they think so; Bowie at his most accessible and (relatively) least artificial.
  8. Julie’s Haircut – Invocation And Ritual Dance Of My Demon Twin (Rocket Recordings, 2017) – hypnotic, psychedelic-occult-krautrock that is mesmerising without being boring.
  9. Cryfemal – D6s6nti6rro (Osmose Productions, 2016) Even though I wrote about how much I like Cryfemal here aeons ago,  I actually didn’t notice when they/he (Cryfemal is still just ‘Ebola’) released this album. It’s great – in theory nothing-special, bog-standard black metal, in reality that, only made fantastic by Ebola’s way with a tune.
  10. Nicole Sabouné – Miman (Century Media, 2017) – not 100% made my mind up about this, but when in the mood for langorous, Dead Can Dance-influenced baroque gothic pop, it’s definitely pretty effective.
  11. Uriah Heep – Sonic Origami (Eagle Records, 1998) – what could be less promising than an album by 70s rock dinosaurs, struggling to find their place in the post-grunge landscape of the 90s? And yet the mighty Heep rose to whatever occasion there was with warmth, grace and some understated rock tunes that still sound very nice indeed.
  12. Juliana Hatfield – Hey Babe (Mammoth, 1992) – still in the 90s, this alternative rock gem is a bit overlooked these days, but it still sounds great to me.julianahatfieldtop4
  13. The Veldt – In A Quiet Room (Leonard Skully Records, 2017) – my dubiousness about the current shoegaze revival almost made me overlook this great band, but I’m glad I listened;on paper their music is such a peculiar mix (experimental shoegaze + soul etc) but in fact it just sounds natural and right.
  14. Tom Waits – The Heart of Saturday Night (Asylum, 1974) – to me, this is the album where he first found his true voice and, if not quite as great as Nighthawks at the Diner, it’s still a collection of great songs.
  15. Claire Waldoff – Die Berliner Pflanze (Berliner Musikinder, 2001) – I’ve been fascinated by the art and culture of the Weimar Republic for years* (just as well; seems like that’s the kind of period we’re living in now) and Claire Waldoff’s music from that period (early 30s mostly) is incredibly evocative and moving, and a bit silly. Plus, I love her voice and I am one of the few people I have come across who thinks German is a beautiful-sounding language, so that’s a bonus.
  16. Tenebrae In Perpetuum – La Genesi: 2001-2002 (Ordo MCM, 2017) – I’m a sucker for Italian black metal (the most underrated black metal scene in the world, mostly) and this reissue of the early works of Tenebrae In Perpetuum captures the band at their most atmospheric and unhinged.
  17. Kathy McCarty – Dead Dog’s Eyeball Songs of Daniel Johnston (Bar/None Records, 1994) – Kathy McCarty did a lot to make Daniel Johnston’s songs palatable to people who don’t like the lo-fi home-recordedness of his early work (or his voice, for that matter) and this is still a great album in its own right.
  18. Queen – The Miracle (Capitol, 1989) – an oddity for me, I really don’t like Queen much after Hot Space but I bought this for 50p in a charity shop and so have listened to it a few times. It’s not great, but I like the title song and a few other bits & pieces; Freddie’s voice is always nice to hear.qveen

and that will do for now!

  • re. The Weimar Republic & its culture, there’s a great article about the photographer Marianne Breslauer here

The Story of an Artist; Daniel Johnston covered

 

dannyDue to his highly idiosyncratic, sometimes unnerving style and often rough and sometimes non-existent production values, many people prefer to hear the songs of the great Daniel Johnston performed by others; they are wrong – but there are many great covers of his work. The following selection is not comprehensive but all of these are definitely worth hearing…

1. M Ward: To Go Home (from Post War, 2006)

MWARD
Guitarist/Singer M. Ward (of She & Him, Monsters of Folk etc) recorded a superb version of Daniel Johnston’s ‘Story of An Artist‘ for The Late Great Daniel Johnston, but this is even better; one of the best songs from arguably Johnston’s best album, The What of Whom, this version rocks without losing any of the complicated but intense feeling of the original.

 

 

2. Beck: True Love Will Find You In The End (Discovered Covered – the Late Great Daniel Johnston)

beck
Perhaps DJ’s most covered song, nobody quite captures the hopeful desolation of the original recording, but Beck’s version gives the song a mournful Neil Young-esque acoustic guitar & harmonica treatment (slightly reminiscent of the great ‘Out on the Weekend’) and makes up in authority what it lacks in fragility.

 

 

 

3. Camilo Kraxberger: I’m Gonna Buy Me A Car (Hola che, como andas- Homenaje Argentino a Daniel Jonhston)

hola
The Argentinian (I presume) anthology Hola che, como andas- Homenaje Argentino a Daniel Jonhston contains many versions of songs that are even more ramshackle than the home-recorded originals, but there are some gems here too. Singer/songwriter Camilo Kraxberger sounds almost as fragile as Johnston himself on this great, non-amateurish recording. Less melancholy than the original, but much creepier and with excellent use of sampled car salesmen.

 

 

4. Lumberob – Honey I Sure Miss You (I Killed The Monster; 21 Artists Performing the Songs of Daniel Johnston)

lumber
This wonderful version seems to be exactly  Daniel Johnston was aiming for on his own extremely affecting but slightly scratchy and wobbly original recording. Sometimes a smooth professional approach tends to bland out some of the original feeling, but here it is sophisticated without being too mainstream and works perfectly.

 

 

 

 

5. Drowning Your Mother: Mask (listen here)

drowning
This slightly basic cover takes the obsessive, morbid aspect of the song and makes it the whole point: it’s droning, deeply unhappy and great.

 

 

 

 

 

 

6. BMX Bandits: Do You Really Love Me? (from Star Wars)

bmxbandits
As a songwriter and performer Duglas Stewart has the same kind of vulnerability (if less desperate on the whole) as Daniel Johnston, and the BMX Bandits are the perfect band to cover this very Beatles-eque song, retaining the feeling completely while giving the sound of a real band (although in fact the version on DJ’s Artistic Vice (1990) is also pretty much professional and polished.

 

7. Eels: Living Life (Discovered Covered – the Late Great Daniel Johnston)

eels3
This quietly powerful version of a somewhat manic original is based to some degree on Kathy McCarty’s also-great version of the song. Mark E gives a suitably world-weary quality to the optimistically dissatisfied lyric and the whole thing is beautiful and over far too quickly.

 

 

 

 

8. Kathy McCarty – Like A Monkey in A Zoo (Dead Dog’s Eyeball)

kathy
There are lots of good covers of this (Teenage Fanclub & Jad Fair’s would be the best if Jad could sing in tune), probably one of Daniel Johnston’s most accomplished early songs as well as one of his saddest. Kathy McCarty gives it a seemingly inappropriate jauntiness but somehow it works.

 

 

 

 

 

9. Virginia Verstraeten – Lousy Weekend (Hola che, como andas- Homenaje Argentino a Daniel Johnston ) – also a nice video)

virginia
Another (again, I think) Argentinian singer and a lovely weary version of this satisfyingly bitter song.

 

 

 

 

10. Karen O & the Kids – Worried Shoes (Where the Wild Things Are soundtrack)

Karen-O

The delicate, mournful piano and xylophone(?) makes this one of the prettiest DJ covers. Karen O is always a great singer and she makes the most of one of Johnston’s saddest lyrics on this perfect version of an always-great song.

 

 

 

 

 

11. Guster : The Sun Shines Down On Me (Discovered Covered – the Late Great Daniel Johnston)

Guster-band-2003
This song has one of DJ’s most Beatles-esque melodies and matter-of-fact but poetic lyrics and Boston band Guster do it justice with a great, wistful performance.

 

 

 

 

12. Eddie Vedder:  Walking The Cow (various live versions, here’s a nice one)

veddie
It would be nice if Eddie Vedder would record a studio version of this (he may have, I am pretty ignorant about Mr Vedder and his works). Whereas most covers of this classic song (Kathy McCarty’s is a very good example) more or less follow the tempo of the original (the same pounding rhythm as a lot of DJ’s chord organ-era songs), this version is slowed down without losing the atmosphere, fragility or meaning of the song. Plus he sings it very nicely.

 

13. The Pastels: Speeding Motorcycle (single, 1990)

pastels
Speeding Motorcycle is, though undoubtedly one of the great Daniel Johnston songs, a difficult one to cover; so much of its effect comes from the original, deeply unhappy performance. Somewhat oddly, The Pastels make it into a very 1990 dance-pop song. It works though, although Yo La Tengo’s version is kind of better on reflection.

 

 

 

14. AKA Lurholm: Fish (Apskaft tribute to Daniel Johnston, 2011)

akal
One of my favourite DJ covers, AKA Lurholm unexpectedly turns DJ’s rueful, extremely self-aware semi-love song into a convincing up-tempo ska tune, adding a cheery quality while while not losing the feel or atmosphere of the original: who’d have thought?

 

 

 

15. Uni and her Ukelele – Silly Love (2010)

uni uke
This perfect, assured cover has all of the emotional power of Johnston’s various versions, but is a little less wobbly. As beautiful as Uni’s ukulele is pink.

 

 

 

 

 

 

16. Indigo Morgan – Like a Monkey in a Zoo (2010)

indigo
This is remarkable not just for being a superb version of this wonderful song, but also because Indigo Morgan manages to be kinds country without automatically being unbearable. Nice guitar playing too.

 

 

 

 

 

17. Thistle – Love Not Dead (from The Late Great Daniel Johnston – Discovered Covered)

Thistle
Very similar to the original but with a girl singer: i.e. great.

 

 

 

 

 

18. Young Statues – Silly Love

youngstatues1
Another very nice version of one of Daniel Johnston’s most affecting songs, this time by New Jersey-based indie band Young Statues. Although there are several great versions of this by Johnston himself (the Live at SXSW and Fun versions especially) I’m not sure that he has ever recorded the definitive one yet.

 

 

 

19. Aaron Robinson – Peek a Boo (2009)

Aaron_Robinson
One of the real hidden gems on this list. Peek a Boo is probably one of Daniel Johnston’s most accomplished early songs and Aaron Robinson gives it the kind of professional, but still emotional, recording that it deserves. It seems strange that a song so specific to one individual (“I painted a bar and I never got paid…”) could be so successfully covered by another singer, but that’s always been one of the great things about music, hasn’t it?

 

 

 

20. Joy Zipper – Held the Hand (I Killed The Monster; 21 Artists Performing the Songs of Daniel Johnston)

JoyZipper
Baleful but calm and strangely ‘nice’ (but still very creepy) version of this supremely creepy song.

 

 

 

 

21. Pear Shape – Walking the Cow (2013)

Pear shape
Another nice version of the oft-covered classic, this time by Australian indie band Pear Shape, this one is wistfully happy and summery and has a nice, cheap video too.

 

 

 

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