At some point in the late fifteenth century, the poet Robert Henryson (who lived in Dunfermline, not too far from where I’m writing now), began his Testament of Cresseid with one of my favourite openings of any poem: Ane doolie sessoun to ane cairfull…
2019 has, in many ways, not been a good year so far. But this summer, the National Galleries of Scotland had (well, has; they are still on) three particularly outstanding exhibitions that brought a bit of light and intelligence to a period of more-than-usual stupidity….
A wise woman once sang “It’s not real if you don’t feel it”* and as far as the arts are concerned it’s as good a measure of quality as anything. But what is “it” that you are feeling? Is everyone feeling the same thing?…
2017, like most years but somehow more so, was filled with unpleasant things, events and people. For me though, one of the more pleasant features of the year was that I made the effort to visit art galleries more often than previously, in particular…
It’s not just ‘the general public’ that sometimes finds abstract or conceptual art to be the empty, meaningless work of opportunistic charlatans; sometimes artists do too. While belonging firmly to the European avant-garde of his time, artist, poet and novelist Percy Wyndham Lewis (1882-1957) created…