2024 – welcome to the/a future(s)

  Another year – and the actual name of the year itself gets ever stranger and more unlikely and exotically futuristic, if you grew up in the era when the film 2001: A Space Odyssey was still set in the future. And here’s the annual…

inside the doll’s house

The dying man glows with sickness in his mildewy-looking bed, the light seeming to emanate from where he sits, crammed into the airless, box-like room. He signs his will while his friend looks on intently with concern and restrained grief. The artist who painted Thomas…

7.6 billion mirrors – the value of art

Was it a cold morning in Edinburgh in 1586 when James VI, only twenty years old, very aware of his status as a divinely-appointed monarch, but with already a lifetime’s experience of human nature and earthly politics, sat in front of Adrian Vanson to be…

11 June 1936: The International Surrealist Exhibition

Thursday, June 11th, 1936. Ominous context; the previous week, Mussolini had authorised his troops to kill prisoners taken in the war that followed Italy’s invasion of Ethiopia. Shortly thereafter, Haile Selassie, Emperor in exile, would appeal to the League of Nations against the Fascists, but…

Review of the Year – the paradox of realism

  2017, like most years but somehow more so, was filled with unpleasant things, events and people. For me though, one of the more pleasant features of the year was that I made the effort to visit art galleries more often than previously, in particular…

Weekly Update: Complicated Comforts

For a variety of reasons, it is being a slightly stressful, sleepless time, so I’ve been looking at things that are, in a variety of perhaps complicated ways, comforting or soothing (to me). I suppose comforting because it can be a relief to have one’s…